About Chinese Calligraphy, Calligraphy, characters, chinese arts
Posted: Sunday, June 10, 2007
by hansen.zhang
zhanghousheng
Calligraphy is an art dating back to the earliest day of history, and widely practiced throughout China to this day. Although it uses Chinese words as its vehicle of expression, one does not have to know Chinese to appreciate its beauty. Because in essence, Calligraphy is an abstract art. While viewing a Western abstract painting, one does not ask, "What is it?" When viewing Chinese calligraphy, one need not ask, "What is the Chinese word?"
Beside each work, a very short comment is given to describe its "style", based on the classical book of Tu Meng.
Tu Meng of the Tang dynasty (618-905) developed 120 expressions to describe different styles of calligraphy and establish criteria for them. The first 15 from his list, with explanations and English interpretations by Chiang Yee:
A single word written in different styles
Full panel-(100k)
By Si-Ma Kuang, Song Dynasty (1019-1086)
Bold yet fluid -
Full panel. From Ode of Mulan by [Mi Fei] [Mei Fei] (aka Mi Fu)
Formal Full panel
By [Yan Zhenqing] [Yen Chen-Ching]
Balance Full panel
By [Wu Ju]{Wu Chu]
Geometric Full panel
By Zhang Ruitu (1570-1641)
playful By Li Juan (b. 1713)
A carefree style has no
fixed directions By [Wang Xizhi] [Wang Hsi-Chih]. The character is Sui (to follow), in cursive style.
The movement of the strokes suggests speed, by a dancing rather than a racing speed.
A gracefully executed
work
An exuberant work full of feeling and vigor. Full panel By [Wang Xizhi][Wang Hsi-Chih]
Lighting quick
Full panel
By [Dong Qichang] [Tung Chi-Chang]
A virile work in which strength is paramount.
The character is "mountain".
By [Zhang Zhengyu][Chang Cheng-yu] (1903-1976)
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